Social Media Roundup: Autumn Advancing

Greetings, Shredderz! By now you may know the drill: keep scrolling for some of my favorite surf and vintage surfboard-related Instagram posts in recent memory.

Can you believe the venerable Channel Islands brand has been around for fifty years?! It’s a bit hard to digest. Hint hint, there might be some cool Al Merrick boards coming up on the blog soon, so stay tuned for that.

How cool is David Nuuhiwa?! Definitely way cooler than me, and probably cooler than you, too (no offense). I’ve seen lots of pics of Nuuhiwa in some truly out there get ups, and I really dig this relatively conservative look in contrast. I wish I knew more about all of Nuuhiwa’s work with different surfboard labels, which the caption briefly covers.

Bob Hurley shaped for Lightning Bolt…who knew?! This thing is gorgeous, though. 1979 single fin with an incredible color combo and Bolt logo on the deck.

Donald Takayama was a member of the storied Jacobs Surfboards surf team before he made a name for himself as a shaper. I’m mostly used to seeing pictures of Takayama from when he was older, but it’s a blast to see some photos of him from his younger days.

Dave Rastovich with an Andreini edge board! Marc Andreini is one of my favorite shapers (in fact, I have a 9′ Serena sitting next to me as I type this entry), and Rasta likely needs no introduction. There’s a great Surfer’s Journal article on some George Greenough edge boards that Rastovich surfed at Cloudbreak. Stoked to see Andreini and Rastovich continuing to explore Greenough’s designs together.

Photo at the top of the page is David Nuuhiwa. Photographer unknown; source is David Nuuhiwa Surfboards page on Facebook.

Social Media Roundup: August Already

Greetings, Shredderz! Keep scrolling for a not-so curated collection of vintage surfboards I’ve recently spotted in the wilds of the World Wide Web.

Sadly, I think Dave Parmenter has deactivated his Instagram account. (The photo at the top of the page is also of Parmenter). This doesn’t come as much of a surprise, given Parmenter’s general preference for keeping a low profile. It’s too bad, because I really enjoyed seeing his boards and hearing what he had to say about surfing and the craft of building surfboards. That said, Rusty Preisendorfer is alive and well on Instagram, much to my delight. Rusty’s contributions to surfboard shaping need no introduction, and he has been sharing many cool photos and stories, such as the picture of Dave Parmenter brandishing a very early Widowmaker.

Mark Richards and Dick Brewer. The sheer amount of surfing and surfboard wisdom contained in this picture practically violates every natural law known to mankind.

Here are Pat Rawson and Duncan Campbell showing off some very cool looking Bonzers. Dare I say Rawson’s design is a bit more twinzer-esque? I don’t know enough about it to say for sure but you can see the difference in the fin templates between the two boards.

My fascination with the curves of the Campbell Brothers’ Bonzer design is never ending. I could look at this photo for hours.

As always, Mahalo for reading!

Photo of Dave Parmenter at top of the page via Ice-Cream Headaches; taken by Julien Roubinet

July Flyin’ By: Social Media Roundup

Greetings, Shredderz! For those of you in the Northern Hemisphere, it’s crazy to think that summer is almost behind us already. But while the days are still long and the weather is warm I thought it’d be great to review some of the better surf-related social media that has crossed my desk recently. Without any further ado, here are some choice cuts for you to enjoy

Tyler Warren is a talented surfer and shaper, and here at Shred HQ we’re big fans of his work. In fact, Warren got a brief shout out in the last Sagas of Shred entry for a beautiful single fin he crafted for Dane Gudauskas. This time we have Warren behind the controls of an original Sixties Hobie Phil Edwards Model. He claims it’s not an easy board to surf, but you wouldn’t necessarily know that from watching the clip above. It’s always nice to see a historically significant board still get wet every now and then.

Gordon & Smith posted this really cool mini-gallery of a reproduction of a vintage flex tail egg. I love the comparison between the newer board and the original. It’s unclear to me if Skip Frye himself shaped the original egg, but needless to say, his involvement with providing some design pointers makes the end product even cooler. Very stoked for the owner who counts both of these sleds among his collection!

It’s practically a rule at this point: any Social Media Roundup entry is likely to feature at least one board that Luis Real has added to his collection. Luis is a machine and I mean that in the nicest possible way! Anyway, he somehow managed to find this stunning Seventies Tom Parrish shaped single fin. The artwork and the colors on this thing are nothing short of amazing. You can go see it at the North Shore Surf Shop in Haleiwa if you’re so inclined, along with the rest of Luis’ ridiculous quiver.

I’ve been meaning to write a longer post on the infamous Morey-Pope Blue Machine, but it’s one of the many items on my to do list that only seems to collect dust. Until I saw the post above, I didn’t realize that Morey-Pope had also made a green version of the Blue Machine. The board belongs to Buggs, another prolific collector whose sticks have made it into these pages over the years.

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Russell x Stussy

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Look, I don’t make the rules here, I just follow them. And any time I see a sick Stussy shape pop up on the Gram, well, you know it’ll be resurfacing here. I love the boards Stussy made for Russell Surfboards in the Seventies, and this is a really sweet example.

Photo at the top of the page by Jereme Aubertin, featuring Tyler Warren surfing in New Zealand, via Corona.

Social Media Roundup: June Gloom

Greetings, Shredderz! As always, here are some primo vintage surfboard pickins from your favorite social media outlets.

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Twin fin Stussday.

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Pop quiz, hotshot: what has six fins, incredible artwork, and more color than a bag of Skittles? Well, that would be the three Shawn Stussy shaped twin fins you see pictured above. These are some truly top notch examples of Stussy’s infamous Eighties shapes. You can check out another Eighties Stussy twinny I wrote up here. I believe the one in the middle is an earlier board, judging by its logo. What I wouldn’t do for one of these bad boys!

Is there such a thing as too much Shawn Stussy? I don’t know, and I’m not the right person to ask. Bird of Bird’s Surf Shed (glad to see they got their Instagram back!) recently posted this absolutely gorgeous Stussy / Russell Surfboards gun. It’s not the only Stussy / Russell shape in Bird’s ridiculous quiver, either! If you see me with tears running down my cheeks and a far off look in my eyes, it probably means that I remembered the profound beauty of the matching leash loop and glass on fin and was overcome with emotion. Excuse me in advance.

I love how this shot elegantly illustrates surfboard progression over the years. The board on the far left is actually an early John Bradbury Creative Freedom shape from the late Sixties. It’s very cool to see the S decks on the Transition Era boards gradually flatten into more recognizable rockers. It’s also interesting to see the rare and coveted Yater Hawaii laminate on a thruster. I had always assumed that those appeared only on older boards, but the fin setup means it had to have been shaped in the Eighties at the earliest. I’m partial to the racy looking yellow board that’s second from right.

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6’11” single diamond for @danedamus

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In theory Shred Sledz is a vintage surfboard blog, but we also reserve the right to feature any shapes, modern or otherwise. Tyler Warren shaped this heat seeking missile for Dane Gudauskas, and I’m dying to see where it gets surfed. Massive Cloudbreak, I hope? This board reminds me a bit of the neat HaydenShapes single fin that Craig Anderson recently took through its paces. The Gudauskas brothers are do gooders in and out of the water, the latter via their Positive Warriors Foundation.

Photo at the top via Natterjacks; photographer unknown (let me know if you have any clues!)

Social Media Roundup: May 2019

You know the drill, Shredderz! See below for a selection of some of my favorite social media posts over the past month or so.

This is the only example of a Hakman / Parrish laminate that I have seen. Wish I knew more about the board but it’s gorgeous. Lately I’ve become more interested in Tom Parrish’s career — even more so after reading his Encyclopedia of Surfing entry, which mentions how Parrish became a lawyer in the Eighties. Photo at the top of the page features Hakman on a Parrish shape; photo is courtesy of the excellent Lyttle Street blog.

I haven’t seen Buggs’ collection myself, but judging by what he posts, both on Instagram and Surfboardline.com (which sadly appears to be down right now), it’s filled with gems. If you the photo above doesn’t immediately make you bring your phone within two inches of your face and start frantically zooming in, then I might not be able to help you.

Pictured above is one of my favorite boards that I have seen online: an all original Jeff Ho / Zephyr surfboard with some incredible colors. Apparently the owner was able to snag this for a song, too.

Here’s Carl Ekstrom, the creator of the asymmetrical surfboard, posing alongside a newer shape via Ryan Lovelace, on a fancy new Varial Foam blank, too. I love it when surfboard design comes full circle like this.

Social Media Roundup: Ben Aipa for Greg Noll Surfcenter & More…

Greetings, Shredderz! As always, here’s a selection of social media posts from the last month or so.

I’ve long held a fascination with the crossover of Australian and Hawaiian surfers and shapers, and this is one of the best I have seen yet. I love the contrast of styles here: Wayne Lynch‘s cool reserve and Larry Bertlemann’s brash style. Also, Larry’s wetsuit vest is absolutely killer.

I love Aipa and his signature sting, but one of his less-heralded models is the Transition Era single fin he made for Greg Noll’s Surfcenter shop in Hawaii. You don’t see these every day, and I love the sideways logo as well as the subtle blue resin pin lines on the deck. The photo at the top of the page was taken from a recent USVSA auction for a similar board, which you can see here.

Dick Brewer needs no introduction. I really dig this super rare board, one of the few surviving samples of his early Lahaina Surf Designs label (yes, the acronym is intentional). Make sure you scroll through the pics for a close up of the trippy logo.

Nothing too crazy here: just a super clean and lovely example of a classic Sixties longboard, the Rick Surfboards Dru Harrison Improvisor Model. I love the bright blue high density foam stringer and the matching glass on fin. They don’t make ’em like they used to!

Last but not least, here’s a gorgeous T&C Surf Designs sting from the Seventies. Not sure who shaped this bad boy, but it’s stunning. I think there’s a chance it may have been restored, judging from the impeccable condition, but either way you can’t go wrong with this one. I’ve said it before, but even though the Eighties T&C thrusters with the neon sprays are the most collectible vintage boards from the label, I just might like the Seventies single fins even more. In particular, I’m a sucker for that huge, clean old school yin yang logo.

As always, thanks for checking out the blog, and stay tuned for even more vintage surfboard goodness!

Social Media Roundup: March Madness

Aloha, Shredderz! This entry is being written from beautiful Hawaii. More on that later! In the meantime, enjoy a selection of some recent social media posts from the wonderful world of vintage surfboards.

I’ve posted many of Jimmy Metyko’s photos, and as long as he keeps publishing great ones, I don’t see any reason to stop! Metyko’s photographs documented the Santa Barbara surf scene during Tom Curren’s rise, and the results are amazing. Here’s a shot of Al Merrick posing alongside two of his creations. This must have been sometime during the early to mid Eighties, given the thruster and the twin fin, and I like how the photo gives a clear idea of the rocker on both shapes.

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The name Fletcher means “arrow maker.” As with everything in life, there are times when you’ll make a u-turn and be led into the wrong way. But I think, overall, I’ve been pointed towards the right direction ——————————————————————————— (📷: Flame) #astrodeck #theoriginator #since1976 #wavewarriors #adrenalinesurfseries #thethrillisback #sideslipboogie #surfhistory #surffilm #fletcherdna #genepoolofcool #herbiefletcher #dibifletcher #artist #inventor #performanceart #wrecktangles #wallofdisaster #archipelagos #bloodwaterseries #thebiglick #caseofarrows #rvca #rvcasurf #flame #tbt @dibifletcher @astrodeck @wavewarriors @fletcherdna @rvca @rvcasurf @surfer_magazine

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Here’s a great photo of Herbie Fletcher taken by the late, great Larry “Flame” Moore. I love that Fletcher is putting one of his surfboards on a rail. There’s also some great trivia, which I had never realized before: Fletcher means arrow maker, hence the arrow logo on Herbie’s shapes!

Here’s a killer shot of Carl Ekstrom taken by Jon Foster. I was actually shocked when I read the caption — I just assumed this photo was far more recent than forty three years ago! Ekstrom is widely credited with inventing the asymmetrical surfboard back in the Sixties. Most recently Ekstrom has been collaborating with Ryan Burch. I’d love to know the back story behind the board featured in Foster’s photo! The photo at the top of the page features Carl Ekstrom posing next to one of his asymmetrical designs in the Sixties, and was originally found on the San Diego Reader website.

Last but not least, here’s Skip Frye posing alongside one of his signature fishes. How about that killer airbrush!

Social Media Roundup: Tom Curren Skip Frye Fish and More

Greetings, Shredderz! If you don’t already follow me on Instagram, I humbly ask you to check out my IG page, where I post a vintage surfboard daily. More to the point, here are some of my favorite Instagram posts from recent history:

Here’s a great post that shows some detailed pics of the famous Skip Frye fish that was surfed by both Tom Curren and Derek Hynd. Curiously enough, I can’t find a ton of definitive info on the board, which you would think would be pretty easy, considering it had two well-known owners and was featured in Andrew Kidman’s “Litmus.” The Frye fish is also not to be confused with the Tommy Peterson “Fireball Fish” that Curren famously rode in maxing Indo in the mid-Nineties. (There’s a long thread on the Surfer Forum that contains some additional context.) Finally, Kidman’s site has a pic that indicates there were two Skip Frye fish shaped for Curren and/or Hynd. Long story short, I might not have the entire story straight yet, but you can’t go wrong with a pic of Tom Curren holding a Skip Frye fish! Photo at the top of the page by Ted Grambeau and originally featured in Surfer Magazine.

Sometimes I can’t shake the feeling that Tom Morey, despite his status as one of surfing’s all-time innovators, is still underrated. That board looks insane even from a cursory glance, and when you realize it was made in 1969 that’s when the alarm bells start going off. It’s a gorgeous photgraph, too.

And while we’re on the subject of fishes, here’s a stunning board posted by Orange County surfer, artist and shaper Tyler Warren. I love the Yater-style logo, and the red color is just too clean and classy. If you dig into the comments there’s a bit of lively debate about the board’s origins, and it seems like the board could have been shaped by Rich Pavel, not Steve Lis. Regardless of the back story, I’d love to have that sled in my quiver.

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And then there were two. Lucky enough to score another Rainbow Hynson this week. The one with the opaque deck shaped in 1970, spray by Ogden and pin line by @tapedoff . Board #100 The other is also a 1970 Rainbow Hynson airbrush John Bredin board #126. Reached out to John Bredin and this is what he said about the board: Ahh, thanks Luke, yes that’s definitely one that Hynson and (Steve Moray possibly) shaped, I sprayed and Peter Pinline did the ink work on for Rainbow. The 7 chakras leading to expanded consciousness. Looks like it had the nose weight slot? Take a shot of it straight on for me if you can. Looks pretty faded which is unusual, they seemed to hold up pretty well. Have you shown it to John Frazier? He’s got several of the old ones too. Currently owns Rainbow label. I love getting the credits from Sam Cody and Peter St. Pierre when people ask about the old days. It all started in the Surfboards Hawaii factory. Takayama is still using the logo I did for Donald back in that factory. There were some really nice Casters done after the Rainbow era. I did some for Chris O’Rourk. There were some private ones that Hynson shaped and I sprayed for locals we knew that we ran through the Bahne shop that had no logos on them. A couple for a guy named Hopper with the infamous “black dot” crew’s logo. One of those found its way through Steve Clark to the surfboard history museum in Oceanside. Steve had to explain to them that the black dot WAS the logo. I tried to get into selling my work to the photoprint process but didn’t have much luck at it. I’ll attach one I did for that. Also check my site for more recent commercial work and fine art painting. I collected a few images of Rainbows I did when I came out there for the California Gold Surf Auction and they auctioned off one of Johnny Gail’s personal boards that had that sort of pinlining on it. #vintagesurfboard

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Finally, we have a pair of Mike Hynson Rainbow Surfboards sticks with some truly next level airbrushes. As far as psychedelic artwork goes, I’d have to say that Rainbow Surfboards probably takes the cake. The caption contains some nice history on the Rainbow label, too.

Social Media Roundup: Santa Barbara Edition

It’s the first Social Media Roundup of 2019, and today we’re focusing on some recent posts that delve into the rich history of Santa Barbara surfing. Alright, enough from me, and onto the pics…

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This is a photo of an early eighties shaping machine – Al Merrick. I wish I would have shot more of Al actually shaping. Using film back in the day to shoot in the shaping room, you really needed to spend time setting up lights to do well. It is a room design to absorb light not bounce it. Film and cameras just did not have the ability to capture motion in that type of lighting conditions without some form of strobe. Very much different than the cameras now. The full lighting setup took too much time and when shooting Al or any shaper in high demand, you were stopping production, literally. Shooting Al was usually a 30 minute disruption max with one hand held strobe. Al was always great about it, never pressured me to hurry. The rush was always self imposed. This shot is outside of the old factory. It’s an insurance shot in case the one strobe did not render anything desirable. • Shaper, board, and rider • @cisurfboards #almerrick @curfuffle #tomcurren #surfboards #surfboardshaper #surfboardshaping #surfphoto #surfphotos #surfphotographer #surflifestyle

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I’ve featured his work here a few times before, but I can’t help doing it again, because Jimmy Metyko is a must follow! His Instagram feed is a who’s who of the Santa Barbara surf scene back in the day, and he’s also a very talented photographer. You should check out a recent slideshow of his photos on Surfer Magazine’s website. This portrait of Al Merrick is simple and striking. I’m assuming it’s from the same shoot as the featured photo at the top of the page. Make sure you scroll through for the bonus shot of a young Tom Curren riding a Channel Islands shape.

The black & white Santa Barbara theme continues, but this time around we have a very clean Transition Era Yater hull / vee bottom board. Wish there were some dimensions listed on this bad boy. You don’t see these late Sixties Yaters everywhere, but I think they are among some of Renny’s coolest shapes.

Alan Casagrande is a talented artist who has a long history with Liddle Surfboards. I was blown away to discover that the board he’s holding in the picture is a Liddle. I can’t be sure but it almost looks like a sting! Either way the outline doesn’t have much in common with Greg Liddle’s famous displacement hulls.

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ABALONE SPOON YATER LOGO

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And what better way to introduce a little color to this entry than by way of a stunning abalone inlay on a Yater Spoon? Abalone was once plentiful up and down the California coast, and I love how Bob Haakenson, one of Santa Barbara’s finest glassers, still uses it for special occasions. This is a subtle but awesome touch to add to a custom Yater, if you ask me.

Photo at the top of the page by Jimmy Metyko; via Surfer Magazine.

Happy Birthday Herbie Fletcher: Social Media Roundup

Greetings, Shredderz! As 2018 comes to a close I figured I put together one last Social Media Roundup for the year. Even better, it was Herbie Fletcher’s birthday yesterday, which conveniently provides a theme for this post. Check out the photo above of Herbie launching a Jet Ski with an awesome Pottz airbrush design. (Eagle eyed readers may remember that Herbie featured prominently in the last Roundup, but there can’t be too much of a good thing, right?) For anyone who’s read this blog in 2018, I can’t thank you enough. I hope you enjoyed reading Shred Sledz, and more importantly, I hope 2019 has even better vintage surfboard goods for you to enjoy. Now onto the fun stuff…

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Happy 70th Birthday @herbiefletcher Pic bolster

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Joel Tudor posted this photo of Herbie, which was taken by famed photog Warren Bolster. If you do a bit of digging in the comments, it turns out that this photo was the basis for the Herbie Fletcher Surfboards logo. Dig a comparison shot below.

Herbie Fletcher Logo.jpeg
Close up of the Herbie Fletcher Surfboards logo. You can clearly see the design is based off the Warren Bolster photo featured in Joel Tudor’s Instagram post above.

 

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Here’s a Greg Liddle inspired 7’10 x 21 x 3.25 displacement hull type surfboard that I hand-shaped  last week designed for North Shore surf. 5 years before I left California for Hawaii, I consistently surfed Malibu in the late Spring, Summer, and early Fall months as my favorite surf spot in California. One of my very favorite surfer’s to watch and surf with there at that time, was Greg Liddle, who was also a board builder and absolutely ripped first and second point on his Displacement Hull creations at Malibu along with his sander, Steve Crieski. When I see the “stubs” that are currently popular, and that many surfers are riding now, I can only think back 50 years ago to Greg and his long lasting influence on my surfing and shaping journey.  For those interested in Hull Displacement ideas, Greg can be reached at his website: gregliddledesigns.com

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Here’s two different singlefin flex keels from the 1973 era, that I still have from my South Bay influences from Jeff Ho @therealjeffho These fins were so dynamic, they made the boards we were riding and testing much faster and looser. They were thin and made from solid weave fiberglass. They also had curved bandsaw cuts in them to extenuate flex, and sometimes you could turn them so hard, that pieces would break off the fin during the turn!! Heres @therealjeffho and I together at Bob Milner’s (Robert’s Surfboards) memorial back in February 24,2018. In my opinion: in 1971-74, Jeff was way ahead of the curve over everyone else in advancing board design in our California South Bay area. What I remembered most then was Jeff innovating swallow tails, with flat decks and tucked edge rails, along with progressive flex keel fins.

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Pat Rawson continues to be one of my favorite follows on Instagram. For the longest time I associated Pat with high performance boards made to tackle serious Hawaiian surf, like the sled that enabled Tom Carroll’s infamous under the lip snap at Pipeline. I was pleasantly surprised to read that Rawson spent time surfing Malibu and overlapped with Greg Liddle, during which time Rawson developed an affinity for Greg’s famous displacement hulls. But that’s not all — Rawson’s time in Los Angeles also overlapped with Jeff Ho, the mind behind Zephyr Surfboards.

This is a stunning Morey Pope / Bob McTavish tracker. I love the groovy rainbow slip check on the deck. Transition Era designs don’t get much more classic than this one.

Last but not least Bird’s Surf Shed has a beautiful Natural Progression twin fin with a Bertlemann-esque airbrush on the deck. Love the double logo on this thing.

 

Photo at the top of the page by Denjiro Sato, and originally found via Zak Noyle.